Month: February 2015

Majd Taby introduces Darkroom, a new app that he and Matt Brown created:

For starters, filters didn’t always fit our images. They might capture the right tone in the shadows but not the highlights; adjustments were either hard or impossible. As a result, we ended up picking from a limited set of looks that lead us to filter fatigue. We wanted a way to define the precise tone and effect on our images.

Our insight was that mobile filters were developed using desktop tools. What if the same tools existed on a mobile app?

Darkroom is our answer. By putting the tools used to make filters in an app, we’ve turned static filters to jumping off points for editing. For the first time, you can capture the perfect tone, and you can create your own filters. The editing tools we offer are carefully chosen and powerful. Everything about Darkroom is designed to be fast and get out of your way.

I’ve been using Darkroom for the past couple of months and I’ve really enjoyed my time with it. It’s fast — really fast — and it offers something I’ve long wished for in other apps: a way to quickly edit the selected filter. While it hasn’t replaced VSCOcam for me, it has become a worthy part of my workflow. It’s free on the App Store, and RGB curves are unlocked with a $3.49 in-app purchase ($2.99 USD). You should check it out.

Brianna Wu, writing for Bustle:

My name is Brianna Wu. I develop video games for your phone. I lead one of the largest professional game-development teams of women in the field. Sometimes I speak out on women in tech issues. I’m doing everything I can to save my life except be silent. 

The week before last, I went to court to file a restraining order against a man who calls himself “The Commander.” He made a video holding up a knife, explaining how he’ll murder me “Assassin’s Creed Style.” He wrecked his car en route to my house to “deliver justice.” In logs that leaked, he claimed to have weapons and a compatriot to do a drive-by. 

After the crash, he sent me a deranged video that Jezebel called “bizarre” and “terrifying.” Sam Biddle of Gawker said that if this happened to him, he’d be “locked in a closet rocking back and forth.” For me, it’s just another Tuesday. My capacity to feel fear has worn out, as if it’s a muscle that can do no more.

Nobody in their right mind thinks death threats are okay, to anyone, in any capacity. But there is a deep-seated resentment of women baked into much of tech culture — specifically, gaming culture, but it’s pervasive throughout the industry too — and it culminates in threats and assault. This has to stop.

Damaris Colhoun, the Columbia Journalism Review:

Last month, when Conde Nast announced the launch of 23 Stories, its branded content studio that gives marketers “unparalleled access” to its “editorial assets,” the company made its narrative expertise a central part of the sales pitch. “As clients seek to elevate their storytelling and define themselves as publishers, we believe Condé Nast is uniquely qualified to partner with them to deliver compelling content, targeted to the right audiences at scale,” CMO Edward Menicheschi said in the press release.

Advertorials have always been present in some Conde Nast titles, in its fashion and makeup layouts, so what makes this new direction so troubling is not the creeping ad-think. It’s the creeping cynicism. When the press release says, “Our Industry is evolving, and so too are our ways of storytelling,” what it’s really saying is that branded stories are the future of new media, and those who disagree are behind the times.

See also: John Oliver doing what he does best:

It’s not trickery; it’s sharing storytelling tools. And that’s not bullshit; it’s repurposed bovine waste.

Gary Allen:

An original and significant element of Apple’s retail stores is disappearing. Over the past month workers have been removing the “atom” symbol that has pinpointed the Genius Bars since the first store opened in 2001, and they are replacing it with wall graphics to match those recently installed in back-lit wall displays.

It might just be the crappy photo used to illustrate the new behind-the-bar backlit photos installation, or the store itself not being one of Apple’s nicer ones,1 but this looks decidedly low-rent to me.


  1. Speaking of which, have you seen the Westlake store in China? It’s not as distinctive as, say, Fifth Avenue or Shanghai, but it might just be my new favourite non-historic Apple store. More photos from Apple, and take a look at the evolution of these store design in the renderings for the new San Francisco store — just look at those big-ass sliding doors on the front. ↥︎

Ted Gioia, the Daily Beast:

I am even more troubled by the NFL’s audacity in booking its Super Bowl entertainment. This mega-billion-dollar business with an antitrust exemption has long demanded artists perform for free at the half-time show, but now it allegedly wants entertainers to make a financial contribution for the exposure—perhaps even give a share of their post-Super Bowl tour income to the sports league.

Hey, bands, can you help NFL Commissioner Roger Goodell out? He only made $74 million during the last two years.

It is almost exclusively the “creative” professions from which others demand free products and services, and I struggle to think of why. It’s true that many STEM-type professions are crucial to the raw fabric of life: they produce our energy, our infrastructure, and our communications. So, in that regard, art is an indulgence. Why, then, are the stars of the art world producing extroardinarily valuable collectibles, while so many others fit the stereotypical “starving artist” profile? Why is art consistently undervalued, and its creators deemed capable of giving away their knowledge and craft?

A little while ago, I was speaking to someone who argued that my city’s public art budget should be entirely eliminated because “plenty of artists will work for free”. Apparently, “exposure” is payment enough. I would have found this extroardinarily offensive even if I didn’t go to art college, have a bunch of friends in the arts, and was working on a couple of new works myself. But this seems to be a commonly-held belief, and I struggle to think of why or how.

Update: Chris Clark makes a good point:

Power asymmetry. Business sharks are confident & manipulative, creatives are self-conscious. Get duped.

If I was artistically talentless I’d probably believe that art therefore has no inherent value and exploit artists too

*If I was also a total asshole who believed that other people are there to be exploited, that is.

Danny Yadron, Wall Street Journal:

The companies, iSight Partners and Invincea, said hackers who appear to be linked to China had reprogrammed Forbes’ “Thought of the Day” widget to send malicious computer code to readers’ computers.

The site appears to have been compromised from Nov. 28 to Dec. 1, the firms said. They said they did not know how many Internet users may have been affected.

I assumed that this Forbes feature was merely very irritating. Little did I know.

Janko Roettgers, GigaOm:

Thought you could watch that video on your local hard drive without ads? Think again: A number of owners of Samsung’s smart TVs are reporting this week that their TV sets started to interrupt their movie viewing with Pepsi ads, which seem to be dynamically inserted into third-party content.

“Every movie I play 20-30 minutes in it plays the pepsi ad, no audio but crisp clear ad. It has happened on 6 movies today,” a user reported on Reddit, where a number of others were struggling with the same problem.

Samsung insists this is a bug, but why does the code for this exist in the first place? Sure, TVs are a low-margin product, but forcing ads into the middle of viewers’ videos seems like a rather on-the-nose way of admitting that.

Steven Sande, writing for the (brand new) Apple World Today:

Speaking at the Goldman Sachs Technology conference this afternoon, Apple CEO Tim Cook announced plans for a huge $850 million, 1,300 acre solar farm to be constructed in Monterey County, California south of the company’s corporate headquarters in Cupertino.

The facility is designed to produce enough power for about 60,000 homes — or all of Apple’s operations in California. Those operations include the current offices, the Campus 2 corporate headquarters under construction, a data center in Newark, California and 52 Apple retail stores in the state.

Apple isn’t the only company doing this sort of thing, but they’re building what are probably some of the biggest sources of renewable energy in North America. It’s definitely not about the bloody ROI.

Cory Doctorow, on BoingBoing:

Part of the Samsung Smarttv EULA: “Please be aware that if your spoken words include personal or other sensitive information, that information will be among the data captured and transmitted to a third party through your use of Voice Recognition.”

I can’t decide whether I’m more comfortable with a singular company like, say, Google or Apple collecting a lot of information in one giant silo, or having a bunch of third parties collecting bits and pieces of my identity across multiple silos that aren’t necessarily connected. In any case, having a giant always-listening, always-transmitting gadget in your living room is rather invasive. At least “virtual assistants” — Siri, Google Now, and Amazon’s Echo — are only listening for a key phrase at any time.

Also, every time BoingBoing writes a post like this, it feels a bit rich to me because Ghostery reports seven separate trackers on their site, including Google Analytics and AdSense, Quantcast, and Scorecard Research.

Update: Samsung says that the language in the privacy policy isn’t perfectly clear, and the TV isn’t exactly always listening to everything you say. But, if that’s the case — and a third party, Nuance, is doing the processing — how is it listening for commands without listening for and transmitting everything? At least other virtual assistants are first-party.

Maybe you’re bored of ATP and the Talk Show, or you’re waiting for Serial to come back, but you’re a bit overwhelmed by the amount of podcasts out there. Wailin Wong of Basecamp has put together and categorized a pretty fantastic selection of podcasts for your enjoyment. Decent stuff in the comments, too.

Heather Burns:

People who use Patreon as creators to share digital output within the EU will be personally responsible for calculating and processing VATMOSS taxes for each and every patron.

On the surface this would suggest that Patreon is effectively off limits for digital creators within Europe. Those who choose to use it will have to personally query each European patron for their tax status, VAT number, IP address, and/or any of the information required to substantiate the proof of supply. They will be responsible for issuing their own tax invoices to their patrons. They will have to supply the invoice and proof of supply data with their VATMOSS return. They will also, of course, have to store this information in a secure format on an EU-based and data protection compliant server for ten years.

It’s going to be a really big year for iOS. On top of 8.2, which isn’t out of beta yet, and today’s surprise 8.3 beta, Apple’s reportedly prepping iOS 8.4 way down the line, likely for a May-June release.

Then there’s iOS 9. Mark Gurman, 9to5Mac:1

For 2015, iOS 9, which is codenamed Monarch, is going to include a collection of under-the-hood improvements. Sources tell us that iOS 9 engineers are putting a “huge” focus on fixing bugs, maintaining stability, and boosting performance for the new operating system, rather than solely focusing on delivering major new feature additions. Apple will also continue to make efforts to keep the size of the OS and updates manageable, especially for the many millions of iOS device owners with 16GB devices.

If you’ve been waiting to file any bug reports against any version of iOS, now’s your time to get them in.


  1. I heard a different codename for iOS 9 last year, and Gurman’s original post included the same codename, so I’m a little unclear what “Stowe” is now, or whether it’s anything any more. ↥︎

Kurt Wanger and Dawn Chmielewski, Recode:

Twitter added a total of four million new users last quarter, a number that seems surprisingly low.

During the company’s earnings call, CFO Anthony Noto provided an excuse for its lack of growth: …

Oh, oh: I think I know this one. Is it because Twitter rarely adds new features that people actually want unless a third-party developer thinks of them first, and because Twitter is slowly squeezing third-party developers, they haven’t thought of anything truly fresh that people will really use, thereby reducing the draw for new users?

… An “unforeseen bug” in Twitter’s integration with iOS 8, Apple’s mobile software update that launched in September. This “bug” caused Twitter to lose four million users, he added, or half of the company’s actual growth.

Did not guess that. Twitter integration in iOS 8 is virtually unchanged. What’s the story?

Well, one million of those users were people who downloaded iOS 8 and either never reopened Twitter, or forgot their password and couldn’t log back in.

That’s not exactly an iOS 8 bug, now, is it?

The other three million were lost due to Safari’s Reader section, which no longer pings Twitter automatically for content like it did in iOS 7. Users who were counted as active because of this automatic pinging on iOS 7 were then lost when they updated to iOS 8.

Oh, so Twitter lost some of the ways in which they were padding their active user stats. Got it.

Unsurprisingly, Twitter is now backpedalling.

Jason Snell:

For a while, iOS developers have complained that the UIKit framework they use to develop apps isn’t available on the Mac, making it harder to apply the same tools and techniques and code they build for iOS to Mac apps.

Today Apple dropped Photos for Mac via a developer release, and some developers are reporting signs that Apple has built this new app using something called UXKit, which sits above the Mac’s familiar AppKit frameworks and strongly resembles UIKit on iOS.

More from the legendary Steven Troughton-Smith:

It’s still mostly all AppKit, but with a UIKit-like API shim. I’m guessing Photos for Mac builds out of the same project tree as iOS

And:

UXKit has navigation controllers, tab bar controllers, table view controllers, toolbars & tintColor support

And:

Maybe someday we’ll program apps simply to ‘UXKit’ and it will map to AppKit or UIKit under the hood.

Intriguing.

Macworld’s Christopher Breen got a sneak peek at Apple’s new Photos app for the Mac, and it sounds pretty great:

I’ve had very little time with Photos but my general impression is that it hits a sweet spot for the casual-to-enthusiastic iOS and digital camera shooter. Its navigation is more nimble and, from what I can tell, its performance is significantly improved over iPhoto’s, which I found sluggish with large image libraries. And, scaling back to the big picture, it’s the first of the old iLife apps that shares a common experience among the Mac, iOS devices, and iCloud. All your photos, your most recent edits, wherever you are.

Lots of new details. Photos does, indeed, support both RAW and JPG files, and it doesn’t look entirely like a scaled-up version of the iOS app. It even includes printed products, contrary to the word I received that they might be removed. I’m happy to be wrong here.

Apple’s spotty record with cloud services is worrying, though. I feel comfortable with syncing my calendars and contacts with iCloud, but I’m not sure if I can entrust my most precious memories to the company. I should be able to — my local backup solution is nothing compared to Apple’s server farms — but I worry about whether all my photos will be there when I need them to be. Federico Viticci has put his whole photo library in iCloud, but I’m not sure I’m ready for that yet, especially considering the spotty record I’ve had trying to set up iCloud Photo Library.1

See also: Apple’s promo page for Photos. The adjustment options are few, but powerful. I do hope VSCO releases their film stock imitation processes as a Photos extension; I get a lot of use out of the Aperture plugins.


  1. No matter what I’ve done, enabling iCloud Photo Library in Settings has shown a dialog reading “iCloud Photo Library will begin syncing when restore is complete”, or something to that effect. There hasn’t been an ongoing restore, and there appears to be no way to override this. Visiting iCloud.com would also not show the Photos web “app”.

    After toggling with a bunch of settings today, I finally made the web app appear, but it’s been “preparing [my] library” for about an hour, so I’m not entirely sure it’s working. My iPhone has also said that it’s “uploading 2,541 items” all day, so I have no idea whether anything’s working at this point. Not a confidence builder.

    Cupertino-area folks, rdar://19744889↥︎

The first fruits of the Joshua Topolsky-led Bloomberg web presence are slowly revealing themselves. First, it was the new error pages; then, the whole new site was revealed, and it looks a bit Verge-y. It’s not pretty, but it has a quirky charm to it that befits a business magazine that’s trying to lose its stogy perception.

Topolsky was interviewed about the new strategy by Caroline O’Donovan for Nieman, and it’s a pretty good discussion. This bit is golden, though:

Another public-facing change loyal readers are sure to notice: Bloomberg killed its comments section. Lots of media companies, from Recode to Reuters, have done this lately, which Topolsky said made him more confident in the decision. He says both writers and editors are more comfortable engaging with readers on external social platforms, where they’re likely to reach a more representative percentage of the audience.

“I’ve looked at the analytics on the commenting community versus overall audience. You’re really talking about less than one percent of the overall audience that’s engaged in commenting, even if it looks like a very active community,” he says. “In the grand scheme of the audience, it doesn’t represent the readership.”

Good.

I quite like the new site myself. Bloomberg is more of a weekly read for me, and I think the new direction helps remove some of the feeling that this is a site purely for readers with MBAs or Economics degrees. (Though, it must be said, it does this at the risk of alienating some readers who have a more conservative design sense.)

The individual article pages are more of a miss for me, though. Take their reporting on Tom Wheeler’s net neutrality proposal:

U.S. Federal Communications Commission Chairman Tom Wheeler said he will propose utility-style rules to ensure Internet service providers don’t interfere with subscribers’ Web traffic.

Wheeler, in an article published Wednesday on Wired.com, also said he would apply “bright-line rules” to mobile services for the first time. He said the agency would not seek to regulate pricing and would seek to modernize rules to encourage investment and competition.

Good reporting, right? Well, not exactly. The bulk of this article comes from the referenced Wired article, but it simply isn’t linked. I don’t get that at all — this is the web, and they’ve already couched this in language that suggests a link. Why not do the extra step and add it?

Also, there’s an autoplaying video at the top, which is very irritating.

While I’m criticizing strange linking practices, I feel compelled to point out that Nieman isn’t innocent here. For some reason, they’ve styled their links to look identical to standard paragraph text, and it’s only when you hover over them that you see the link. That’s a basic usability and accessibility no-no. It isn’t a difficult concept.

Speaking of the worst companies in the US, Kellen Barranger over at Droid Life is assembling the responses from ISPs to the proposed net neutrality regulations. They’re pretty much exactly what you’d expect. Verizon:

Moreover, Congress is working on legislation that would codify open Internet rules once and for all. It is counterproductive because heavy regulation of the Internet will create uncertainty and chill investment among the many players — not just Internet service providers — that now will need to consider FCC rules before launching new services.

Is there a problem with a company ensuring they’re following the law before launching new services? Isn’t this… good?

AT&T, who are filing a lawsuit because they are assholes:

The FCC cannot mandate that a service be offered on a common carrier basis without, at a minimum, a finding that a particular provider has market power in a particular geographic market. Needless to say the FCC has engaged in no analysis of market power on a geographic market basis. Accordingly, this option is simply not available to the FCC.

Bullshit.