Michael Cieply, New York Times:
On screen, the major studios now open almost every film with a proud, graphic statement of identity. At 20th Century Fox, the motif involves searchlights and a bold fanfare. Universal circles the planet. Disney, in a logo that was clocked by Variety at a full 30 seconds, among the longest, pans a Magic Kingdom, with its fairy tale castle, misty hills, meandering river, fireworks, shooting star and puffing locomotive.
Not to be outdone, Hollywood’s more powerful production companies and financiers have increasingly followed suit with elaborate cinematic logos of their own.
For an independent film with multiple production companies, the identifiers may come in a parade, three, four, five at a time. With studio movies, by contrast, only the very biggest players are typically allowed a logo (and not always, since a filmmaker’s plans for a picture’s opening moments may actually trump branding and vanity).
There’s something about seeing a really great studio logo — the cited 20th Century Fox one, or the early-2000s United Artists logo come to mind — that sets the tone for the film. The classic THX logo and sound is the kind of thing that makes you reach for something with which to strap yourself into your chair.