Day: 28 December 2018

Max Fisher of the New York Times, building on earlier reporting by Nick Hopkins of the Guardian, and Jason Koebler and Joseph Cox of Vice:

As detailed as the guidelines can be, they are also approximations — best guesses at how to fight extremism or disinformation. And they are leading Facebook to intrude into sensitive political matters the world over, sometimes clumsily.

Increasingly, the decisions on what posts should be barred amount to regulating political speech — and not just on the fringes. In many countries, extremism and the mainstream are blurring.

In the United States, Facebook banned the Proud Boys, a far-right pro-Trump group. The company also blocked an inflammatory ad, about a caravan of Central American migrants, that was produced by President Trump’s political team.

In June, according to internal emails reviewed by The Times, moderators were told to allow users to praise the Taliban — normally a forbidden practice — if they mentioned its decision to enter into a cease-fire. In another email, moderators were told to hunt down and remove rumors wrongly accusing an Israeli soldier of killing a Palestinian medic.

“Facebook’s role has become so hegemonic, so monopolistic, that it has become a force unto itself,” said Jasmin Mujanovic, an expert on the Balkans. “No one entity, especially not a for-profit venture like Facebook, should have that kind of power to influence public debate and policy.”

We’ve never had a private company able to so easily direct and limit speech for so many people. As Maya Kosoff wrote for Vanity Fair earlier this year — in response to Koebler and Cox’s reporting — this is a direct result of Facebook’s “tireless drive to expand”. They have constantly and consistently failed to control their platform, and antitrust regulators in the United States made no attempt to use existing laws to curb their growth. As a result, they now have unprecedented reach and control over worldwide dialogue.

One thing I’ve not seen answered in any of these reports is whether moderators specialize in a particular subject — hate speech regarding a specific group, for example — or more generalized. I don’t see either approach working well at Facebook’s scale, but at least a specialized moderator would be able to approach each posts with a unique understanding and context.

Manish Singh, VentureBeat:

Netflix is further distancing itself from Apple’s iTunes tax bracket. Earlier this year, the streaming giant enabled iOS users in more than two dozen markets to bypass the iTunes payment method as part of an experiment. The company now tells VentureBeat that it has concluded the experiment and has incorporated the change globally.

“We no longer support iTunes as a method of payment for new members,” a Netflix spokesperson told VentureBeat. Existing members, however, can continue to use iTunes as a method of payment, the spokesperson added.

Damien Basile:

Companies are doing this more & more. Spotify doesn’t allow you to pay via Apple. And why should they? 30% is a huge fee to give to Apple when you have the name and market presence. Makes me wonder what Apple will do if this trend proliferates even more.

This is despite changes made last spring to Apple’s cut of subscription pricing, which is now set at 30% for the first year and 15% for every year thereafter.

Apple’s cut is booked under the broad “services” category in their financial reports. Services revenue, as a whole, has been growing rapidly for the company, but I’d be curious to know how much these moves are impacting Apple’s take. My initial assumption was that it must represent a lot of lost revenue for Netflix and Spotify, but perhaps it’s such a small amount that it’s worth the risk of some potential customers giving up on figuring out how to subscribe.1

Regardless of how much lost revenue Apple’s cut represents for Netflix and Spotify, it strikes me that this is an option for only a handful of established companies. In addition to the aforementioned, Adobe can also forego Apple’s option in favour of their own Creative Cloud subscription. The only indie company I can think of that is trying a similar approach is Panic with Transmit 5: it’s $45 directly from them, or a $25 per year subscription if purchased through the Mac App Store. This doesn’t seem viable for most small developers because of the more circuitous route customers have to take without instruction — see footnote — nor does it seem very efficient or safe, given that it requires many small studios to build a paid account infrastructure.

Update: Lawrence Velázquez points out that 1Password has a similar purchasing and subscription arrangement to Transmit 5.


  1. Which, by the way, is something Apple makes more complicated because they forbid developers from mentioning subscription options outside of officially-sanctioned in-app purchases. ↥︎