Net Neutrality Is Now the Law

Amy Schatz, Recode:

The new proposal essentially reverses a 2003 agency decision to deregulate Internet lines. The FCC is relying on legal authority Congress granted it under Title II of the Communications Act, which was written for old phone lines, to police Internet providers.

Since many of the provisions of Title II don’t make sense when applied to modern networks, the agency is only using a few of those provisions when it comes to net neutrality. For example, FCC officials have vowed to not try and regulate broadband rates, or require current broadband providers to offer a potential rival access to their networks at reasonable rates.

This is very, very good news. There are plenty of reasons why service providers shouldn’t be policing themselves, chief among which is exemplified by Verizon’s petulant response:

Today (Feb. 26) the Federal Communications Commission approved an order urged by President Obama that imposes rules on broadband Internet services that were written in the era of the steam locomotive and the telegraph.

Only rules that apply to the internet and which make sense will be used. And I’m really not sure why the age of a rule has any bearing on its validity. In fact, I’m not sure Verizon even believes that:

Verizon pressed its argument against the Federal Communications Commission’s new network neutrality rules on Monday; filing a legal brief with the United States Court of Appeals for the DC Circuit. The company argued the FCC’s rules not only exceeded the agency’s regulatory authority, but also violated network owners’ constitutional rights. Specifically, Verizon believes that the FCC is threatening its First Amendment right to freedom of speech and its property rights under the Fifth Amendment.

The Bill of Rights was ratified in 1791, or as a Verizon PR person might write, in the time of the French Revolution and George Washington.

“What has been and will remain constant before, during and after the existence of any regulations is Verizon’s commitment to an open Internet that provides consumers with competitive broadband choices and Internet access when, where, and how they want.”

Limited time offer, subject to additional rules which can be found at Not valid when combined with other offers. See store for details.

Update: The Times illustrates why this is necessary.

The Apple Watch Edition’s Upgrade Dilemma

Serenity Caldwell, iMore:

I understand the justification of replacing an iPhone or a Mac when they’ve become too slow or outdated for their task — at most, I’ve spent $2000-$3000 on such a device, and its cost-per-year averages out to something where I don’t feel wasteful in replacing the machine.

Watches are different. They’re jewelry. They’re as much a fashion accessory as they are a device. And watches can have a long lifespan, if treated properly. Watches have people trained in the art of repair, keeping someone’s $20,000 timepiece from becoming a useless paperweight.

Once Apple jumps into that price point and that industry, should it expect that users will pay $10,000 again 18-30 months down the line to replace their watch? Does the advent of digital mean we’re expected to replace our heirlooms now, rather than pass them down? I really don’t know. Maybe the Edition is truly just meant for those who look at $5000 cost-per-year of ownership as no big deal on their bank account. Companies like Vertu have made a living off those customers; why shouldn’t Apple?

But I’d like to believe Apple is better than that. If they truly want to command the watch industry, they might take another page from watch-makers: repairability.

I’d love for this to be the case. I think owners of the Edition, especially, but also the no-suffix Watch, should be able to go into an Apple Store and get the S1 swapped for an S2, when the second version is released. Then, they could leave with the same watch they’ve worn for a year, complete with the unique characteristics that make it distinctly yours. Potentially in favour of this is Abdel Ibrahim’s suggestion that the Watch might not change shapes year-to-year, which means Apple can design subsequent modular chip designs to fit the same space. Further in favour of this is the fact that the Apple Watch has an everything-in-one chip. But I don’t think it’s going to happen.

If the animation in the introduction video is to be believed, the S1 is sandwiched in the middle of the Watch’s stack, between the Taptic Engine and the sensors on the back. And, if Apple’s site is to be believed, the body of the Watch is one seamless form, with cutouts only for the buttons, display, and sensors. Perhaps there’s some way of cracking one open; perhaps there’s a hidden latch in strap attachment areas or something. Or perhaps the front or back glass — excuse me — sapphire can be removed. But this strikes me as exceedingly unlikely.

Furthermore, the next-generation Watch is likely to have more than an upgraded processor. It’s likely to include new sensors, which may require somewhat different capabilities than the current hardware can provide.

I would love to be proved wrong on this, but I think it’s unlikely that the Watch will be upgradeable into the future. I think Apple sees the Edition1 similarly to the other models in the lineup in this regard. They’re packing it with some pretty good hardware that should be better than adequate for a few solid years of use.

Apple really is in uncharted territory here. A Rolex can be handed down generation after generation because the technology inside it hasn’t changed that much for a hundred years. It’s not really a question of whether a tech company can make a good watch; it’s whether the watch industry can support rapid technology changes.

  1. Which, by the way, isn’t going to sell in the mad hotcakes fashion that the WSJ predicts


Matt Gemmell on the ugliness of having dates in permalinks:

Right now, a tiny subset of humans (technical people, who think of code examples or software tutorials when they read the phrase “blog post”) are going to argue that the date does matter. They are wrong. Any article with time-sensitive information will either mention its vintage explicitly, or is by definition poorly constructed.

Entirely agreed. Someone emailed or tweeted at me a few years ago asking why I don’t have dates in my permalinks. My response was a lot simpler than Gemmell’s: they just look better without.

Gemalto Has No Clue Whether It Was Hacked by the NSA

Lorenzo Franceschi-Bicchierai, Vice:

In the press release, Gemalto refers to two “sophisticated” hacking attempts it detected in 2010 and 2011, which at the time it didn’t think were coming from NSA or GHCQ. But now, given the Snowden documents, the company believes those attacks actually came from the spy agencies.

The two “sophisticated” attacks are described pretty vaguely. The statement refers to one attempt to “spy on the office network” of one of Gemalto’s French sites, and another involving emails that tried to trick receivers into installing malware.

But for Ronald Prins, the founder of Dutch security firm Fox-IT, Gemalto has “no clue if the traces they’ve seen were from the NSA,” since the spy agency is “very good” at removing evidence of its attacks, and using phishing emails with malware is not the way the NSA hacks its targets.

Apparently, Gemalto thinks it can dust its hands after six days of investigation and they think it’s sufficiently thorough. Weak.

Reddit Blocks Non-Consensual Sharing of Nude Photos and Video

Charlie Warzel of Buzzfeed asked them twelve questions about this policy. This is relieving:

Will users need to meet a certain standard of proof — or will requests immediately trigger a takedown?

Reddit: We are not going to require proof. That is salt in the wound to someone going through the process of removing images like this. It’s often not limited to reddit and is rather difficult. The requests will be treated individually and not trigger an automatic takedown.

Good move, but I have a thirteenth question: why has it taken this long to prohibit this on Reddit? And a fourteenth question: how is this not illegal everywhere in the world by now? The only way that it may run afoul of the law is that the subject(s) could claim copyright infringement, but only if they were the photographer.

New Emoji and Paul Kafasis’ Favourite Radar

Paul Kafasis reacts to the new emoji in iOS 8.3 and OS X 10.10.3:

None of the emoji from the updated Unicode 7 spec are included. Apple continues to flip us the figurative bird by refusing to provide us with a literal middle finger. Diversity of races is surely a good thing, but where is the diversity for people who wish to communicate with widely recognized hand gestures?

This is actually — no bullshit — a very good question. Apple tends to be super cautious about being family friendly, to a sometimes ridiculous degree, but the “Reversed Hand With Middle Finger Extended” emoji is a totally valid Unicode character, as much as the letter ‘p’ is. Does Apple’s avoidance of anything even slightly profane trump their full support of the Unicode character set? I don’t think it should. It’s a character, like anything else, and Apple should support it.

On a less challenging note, you might be interested to know the new multiracial emoji appear to be ligatures. If you send one of them to a device that doesn’t support the new character set, that device will display the old-style “white” version plus the fallback “not found” character. Conversely, sending an old-style emoji from a device that doesn’t support multiracial emoji to a device that does will display the cartoonish yellow character on the updated device.

Test-Driving Amazon Prime Now

Nicole Dieker, Boing Boing:

I like sparkling water, so I add a liter bottle of San Pellegrino ($1.50) to my order. I wonder if it will arrive cold. This feels ridiculous, like I am the most decadent and silly person ever. I am going to order this bottled water and then I am going to be disappointed when Amazon delivers a room-temperature bottle. In the midst of luxury, I am frustrated that my experience is not luxurious enough.

Kinda sums this whole service up, doesn’t it?

“It’s Just This Feeling I Have That This Person Will Be Able to Get Stuff Done Faster Than You”

Tracey Lien, Los Angeles Times:

[Ana Redmond] had built a prototype for a travel website, she said, a feature to auto-suggest cities and airports based on the first three letters typed into the search field, fixing a long-standing problem.

Her male bosses told her she’d built it without permission. Then they said only architects within the company could pitch features — and all the architects were male. In the end, the project was handed to someone else, and she was assigned to less interesting tasks.


Tracy Chou, 27, a well-known engineer at Pinterest, said she was once bypassed at a previous start-up because her boss thought a new male hire was more qualified. When Chou pressed for an explanation, she recalled him saying: “It’s just this feeling I have that this person will be able to get stuff done faster than you.”

This weekend, my girlfriend headed to Home Depot to pick up a few pieces of hardware for a work she’s exhibiting later this month; I tagged along because the nearby Williams-Sonoma was having a pretty sweet sale. We couldn’t find a water pump, so she asked an employee, who — in a dismissive and almost condescending tone — told her that they don’t carry them in the winter. I checked online and found one in stock, then asked another associate to point us to it, which he helpfully did.

This isn’t an isolated incident. Each and every time we’ve gone into Home Depot together, I see sales staff treating her differently. Whenever she asks for something, they always look at me as if I need to confirm what she’s asking for, or ask me directly if that’s the case. It’s insulting and it is infuriating. She knows way more about this than pretty much anyone I know, but they don’t trust her because she lacks a penis.

I can’t imagine being subjected to that day in, day out.

Behind the Relaunch of The New York Times Magazine

Jake Silverstein, of the Times:

This magazine is 119 years old; nearly four million people read it in print every weekend. It did not need to be dismantled, sawed into pieces or drilled full of holes. Instead, we have set out to honor the shape of the magazine as it has been, while creating something that will, we hope, strike you as a version you have never read before.

To this end we have made many alterations. You will find new concepts for columns, new writers, new ideas about how to compose headlines, new typefaces, new page designs in print and online, new ideas about the relationship between print and digital and, animating it all, a new spirit of inquiry that is both subversive and sincere. (You will also find, in this Sunday’s print edition, more pages of advertising than in any issue since October 2007.)

Make no mistake: this is a tall order. The new page layouts are seriously impressive, with big, wide imagery and a recognizable kinship with the rest of the Times’ site, though decidedly its own style. The typography is fairly impressive as well:

The redesign was led by our design director, Gail Bichler, a 10-year veteran of The Times, along with our art director, Matt Willey. They worked closely with the talented designer Anton Ioukhnovets, who created the look and feel of these pages. Gail and Matt also oversaw the creation of an entire suite of typefaces.

Not a single letter in this relaunch issue has ever seen the light of day. They are infants; treat them gently. Gail also had the magazine’s logo redrawn by the typographer Matthew Carter.

I love the redrawn logo. Carter has done a terrific job of retaining the feel of it while allowing it a little more breathing room. It’s way easier to read, too. I love the standard serif and sans-serif faces, too; the latter is particularly exciting, as it shares qualities of Gotham, Avenir, and Akzidenz Grotesk, without directly aping any of them or feeling like an ungainly mashup.

I’m much less keen on the condensed slab serif the magazine is using for headlines, though. It feels a bit Old West, and it’s pretty tricky to read on index pages. It’s not so much that it’s bad; it’s a perfectly functional and rather nice condensed slab. It just doesn’t fit the Times very well, I don’t think.

New Oakridge Apple Store

Maybe I was a bit hard on Apple’s decision to remove the Genius Bar logos from behind the counter. The new Oakridge store is a much nicer example, but I still feel like it lacks some character. More importantly, it’s also a little confusing. I know plenty of people who are already weirded out by the somewhat awkward and undefined buying process in an Apple Store, where there’s no clear register or cash counter. Now, there’s no obvious signposting of the support area.

It does look less dated than the embedded TVs, though, so that’s something.

Update: The Stonestown store in San Francisco has a similar treatment, as do the Westfarms, Rockingham Park, Nanuet, Twelve Oaks, and several other stores. I’m not sure why I hadn’t noticed this before. It looks as though Apple started omitting the Genius Bar signage with stores opened around the time of the iPhone 5S/5C release, or perhaps even earlier.

Crazy Apple Rumours

Remember CARS? The site that John Moltz ran? “Crazy Apple Rumors”? It’s back, insomuch as actual crazy Apple rumours about cars constitutes Crazy Apple Rumors.

Daniel Jalkut:

Personally, I’ve flipped over to being cautiously optimistic that the Apple car will become a reality. My first inclination was to worry that it represented a deparature of focus for Apple, and that it would mean stretching their limited resources even thinner. But the 9to5Mac story drives home that a lot of the expertise required to pursue this dream, if that’s what they do, can be hired from outside the pool of software and hardware engineers that Apple has typically employed. I think it’s reasonable, for example, to be optimistic that a drive-train engineer’s efforts are not being wasted by working on a car instead of a MacBook Pro’s cooling fans.

I was initially skeptical of these rumours, but when you see a list of employees working on such a project, like the one 9to5Mac published, it goes from zero to “this is happening” faster than a hypothetical Apple Car.

iOS Rumoured to Receive Public Beta Program

Once again, it’s the guy with the Cupertino hotline, Mark Gurman, breaking this news:1

Following the successful launch of the OS X Public Beta program with OS X Yosemite last year, Apple intends to release the upcoming iOS 8.3 as a public beta via the company’s existing AppleSeed program in mid-March, according to the sources. This release will match the third iOS 8.3 beta for developers, which is planned for release the same week. Apple then expects to debut iOS 9 at its June Worldwide Developer Conference, with a public beta release during the summer, and final release in the fall.

Makes sense. It should minimize the amount of developer account reselling that goes on around the release of every iOS beta, and those people likely weren’t filing radars.

With this program should, hopefully, come an automatic block on App Store ratings and reviews from devices enrolled in the beta program, but this isn’t as straightforward as it sounds. Apple could simply block ratings and reviews on the device itself, but this doesn’t prevent the extra determined from submitting a review on a non-beta device. This could be solved by blocking ratings from users with any device enrolled in a beta program, but that means that developers with multiple devices — some running beta releases, some not — couldn’t submit any App Store ratings. I anticipate that Apple would take the first route here, which is “just enough”.

  1. Also, Gurman clarifies that “Stowe” is the codename for iOS 8.3. 

Apple Watch Configurations

The array of personalization options with the Apple Watch is kind of dizzying. Louie Mantia has put together a huge table showing all of the default Watch and strap combinations, based on the information available on Apple’s website.

However, this table doesn’t answer a lot of questions, and raises some new ones. What about the Edition’s apparently matched crown and strap? The straps are designed to be easily swappable, but my hunch is that the crown colour can’t be changed, even if the strap can. Why does it appear that there are so few strap options available for the Space Black Stainless model? Do you think all of the straps will be available for separate purchase? Why are some straps only available for the 38mm case, while others are only available for the 42mm model?


Robert Graham of Errata Security has more details on that crazy Lenovo adware story:

Note that the password “komodia” is suggestive — that’s a company that makes an SSL “redirector” for doing exactly the sort of interception that SuperFish is doing. They market it as security software so you can spy on your kids, and stuff. A description of this component, their “SSL Digester”, is here. They market it for “ad injection” here. That site teaches us a lot about what SuperFish can do.

Meanwhile, Lenovo’s PR department is really working for their paycheques today:

We have thoroughly investigated this technology and do not find any evidence to substantiate security concerns.

Bullshit. Anything that intercepts or falsifies an SSL certificate is a security concern. Period.

The relationship with Superfish is not financially significant; our goal was to enhance the experience for users.

Bullshit. Lenovo thought they could fatten their per-unit profit by installing this software.

Lenovo does provide uninstall instructions, but…

Superfish will be removed from Program Files and Program Data directories, files in user directory will stay intact for the privacy reason. Registry entry and root certificate will remain as well.

The emphasis is mine, but the words are all theirs. They’re actually going to leave the enormous security hole — their root self-signed security certificate — installed on machines. That’s super sketchy.

Thursday, Creepy Thursday

Jeremy Scahill and Josh Begley, writing for the Intercept:

The hack was perpetrated by a joint unit consisting of operatives from the NSA and its British counterpart Government Communications Headquarters, or GCHQ. The breach, detailed in a secret 2010 GCHQ document, gave the surveillance agencies the potential to secretly monitor a large portion of the world’s cellular communications, including both voice and data.

The company targeted by the intelligence agencies, Gemalto, is a multinational firm incorporated in the Netherlands that makes the chips used in mobile phones and next-generation credit cards. Among its clients are AT&T, T-Mobile, Verizon, Sprint and some 450 wireless network providers around the world. The company operates in 85 countries and has more than 40 manufacturing facilities. One of its three global headquarters is in Austin, Texas and it has a large factory in Pennsylvania.

“Well that’s the government,” you begin, “can’t trust ’em.” Surely, then, a private corporation will fare better?

Allow Ars Technica’s Dan Goodin to pour cold water all over that theory:

Lenovo is selling computers that come preinstalled with adware that hijacks encrypted Web sessions and may make users vulnerable to HTTPS man-in-the-middle attacks that are trivial for attackers to carry out, security researchers said.

The critical threat is present on Lenovo PCs that have adware from a company called Superfish installed. As unsavory as many people find software that injects ads into Web pages, there’s something much more nefarious about the Superfish package. It installs a self-signed root HTTPS certificate that can intercept encrypted traffic for every website a user visits. When a user visits an HTTPS site, the site certificate is signed and controlled by Superfish and falsely represents itself as the official website certificate.

Even worse, the private encryption key accompanying the Superfish-signed Transport Layer Security certificate appears to be the same for every Lenovo machine.

“Phew, at least I don’t have a Lenovo PC,” you sigh.

Yeah, but do you have OnStar? Or a Kinect? Or an LG TV? Or a bunch of other products?

Earlier this month, Samsung was the target of a privacy dust-up due to a disturbing sentence in the privacy policy for its smart TVs: “Please be aware that if your spoken words include personal or other sensitive information, that information will be among the data captured and transmitted to a third party.”


But Samsung’s televisions are far from the only seeing-and-listening devices coming into our lives. If we’re going to freak out about a Samsung TV that listens in on our living rooms, we should also be panicking about a number of other emergent gadgets that capture voice and visual data in many of the same ways.

At this point, you’re forgiven if you’re preparing to crawl into the fetal position under your desk. Happy Thursday, everyone.

The Artful Dodge

John Gruber pours cold water on Daisuke Wakabayashi and his sources:

The way it reads to me is that Wakabayashi’s sources for the June 2014 story were not “familiar with the matter”, but rather were familiar with, at best, already-outdated plans to ship a more fitness/health-focused Apple Watch in 2014. And his report this week reads more like an attempt to make it look like it’s the Apple Watch that is actually coming in April that is wrong, not his reporting from last year.

Plans change, but Wakabayashi wants to pen the narrative again.

Barack Obama Speaks With Kara Swisher

It’s about time an interview like this occurred. The United States needs a President who is well-versed in technological issues. Barack Obama is far better than any of his predecessors and his competitors in this department, but still not always brilliant. Case in point:

Let’s talk about encryption. What’s wrong with what Google and Apple are doing? You have encrypted email — shouldn’t everybody have encrypted email, or have their protections?

Everybody should. And I’m a strong believer in strong encryption. Where the tension has come up, historically, what has happened, is that — let’s say you knew a particular person was involved in a terrorist plot. And the FBI is trying to figure out who else were they communicating with, in order to prevent the plot.

Traditionally, what has been able to happen is that the FBI gets a court order. They go to the company, they request those records the same way that they’d go get a court order to request a wiretap. The company technically can comply. The issue here is that — partly in response to customer demand, partly in response to legitimate concerns about consumer privacy — the technologies may be built to a point where, when the government goes to …

They can’t get the information.

The company says, “Sorry, we just can’t pull it. It’s so sealed and tight that, even though government has a legitimate request, technologically we cannot do it.”

Is what they’re doing wrong?

No, I think they are properly responding to a market demand. All of us are really concerned about making sure our …

So what are you going to do?

Well, what we’re going to try to do is to see: Is there a way for us to narrow this gap? Ultimately, everybody — and certainly this is true for me and my family — we all want to know that if we’re using a smartphone for transactions, sending messages, having private conversations, that we don’t have a bunch of people compromising that process.

So there’s no scenario in which we don’t want really strong encryption. The narrow question is going to be if there is a proper request for … this isn’t bulk collection, this isn’t sort of fishing expeditions by government.

Where there is a situation in which we’re trying to get a specific case of a possible national security threat — is there a way of accessing it? If it turns out it’s not, then we’re really gonna have to have a public debate. And, you know, I think some in Silicon Valley would make the argument — which is a fair argument, and I get — that the harms done by having any kind of compromised encryption are far greater …

This excerpt is extremely revealing. First, it’s obvious just what a good interviewer Kara Swisher is. She doesn’t allow for digressions or monologues; she wants the answers.

But it also reveals — or at least suggests — that the President believes there’s a middle ground between strong encryption and accessibility by law enforcement. While I’m empathetic to his hopes, the fact is that any encryption strong enough to protect against financial fraud or message interception by nefarious third parties is also strong enough to prevent the FBI from poking around. There is simply no way to have strong encryption that offers a law enforcement-only backdoor.

Swisher presses him on this for a little bit afterward, but it’s clear that he’s not budging. And that’s fair. The President of the United States, regardless of who it is, sees dozens of national security threats dropped into their lap every morning, and it’s hard to reconcile that with a hard-line stance on personal privacy.

The President is right: there needs to be a debate on how much we value our privacy, weighed against the actual threat and consequence of violent crimes committed using the same tools we all use. But I don’t know that such a debate will produce a singular right answer.

My Favourite Records of 2014

2014 was a weird year for new music, he began his month-and-a-half-late choice retrospective. After a totally killer 2013, it was pretty hard to imagine 2014 could top it. And, indeed, it didn’t, I don’t think. The closest we got to an “MBV” moment this year was a new D’Angelo record — which was great, by the way, so keep reading — but there were a few absolutely incredible records released over the past twelve months, and I’d like to highlight them. Some of these are obvious and you probably own them already; others are much more unique. I’d like to think that there’s something on this list for everybody.

All of the album links are iTunes affiliate links, so if you’d like to financially support what I do here and you want new music, please feel free to click through and buy an album from these links. If you like the sound of a record but would prefer not to buy through the affiliate link, please search the record out and buy it from your local independent music store.

Beyoncé — Beyoncé

I start this list with an omission from my favourite albums of 2013. Released right at the tail end of last year, Beyoncé’s self-titled fifth album cemented her as the world’s biggest pop star. While it was conceived as entwined musical and video components, I’ve only “watched” the album a couple of times. However, since each song on the album has a video, when every song is, in effect, a single, no song is a single. Through explorations of beauty, marriage, feminism, and sexuality, Beyoncé is truly best listened to as a full album, not as individual songs. To top it all off, the album is produced with a special kind of finesse and care that I haven’t heard in a long time. It’s an event unlike any album released this year. Praise Queen Bey.

Picks: Ghost/Haunted; Drunk in Love; Yoncé/Partition; Flawless

Beauty & Ruin — Bob Mould

Bob Mould spent the majority of his twenties and thirties defining and influencing the sound of alternative rock music in the 1980’s and ’90’s, as the frontman of Hüsker Dü and Sugar, as well as forging a successful solo career. On Beauty & Ruin, Mould has decided to take stock of decades of being a badass rock icon, which isn’t exactly a novel concept. But Mould approaches it with the kind of ferocity and intensity only he can muster, backed by a crazy-tight rhythm section. The album’s opener, Low Season, was panned by critics, but it’s one of my favourite songs on the record — it has a very special kind of warmth. But, then again, so does the rest of the album.

Picks: Low Season; Little Glass Pill; Tomorrow Morning

Our Love — Caribou

Eking a sense of emotion or genuine passion from electronic instruments is no small feat. The subtle differences in the way two guitarists may place their fingers on the fretboard aren’t really present between two different MIDI arrangements; at least, not in the same way. Some artists, like Burial, embrace the inherent coolness of electronic instruments to further their sonic investigation into loneliness and despair. Dan Snaith, as Caribou, has gone the other way and somehow imbued his electronic music with a sense of genuine warmth, as he ruminates on — and you may have been expecting this from the title — love. Love for his fans, for his family, for his wife, and for his new daughter. Opener “Can’t Do Without You” is neatly juxtaposed at the end by “Your Love Will Set You Free”: the first, an exploration of a love presumed lost; the latter, a love that Snaith can count on. This back-and-forth duelling-narrative element weaves itself through much of this record in a subtle and intriguing way that inspires effortless repeat listens.

Picks: Can’t Do Without You; Our Love; Your Love Will Set You Free

Here and Nowhere Else — Cloud Nothings

Do not adjust your dial: Here and Nowhere Else often does sound like it is being transmitted through a poor AM connection. It’s this lo-fi charm blended with post-hardcore delivery and pop catchiness that makes for one of the year’s best records. With its eight tracks clocking in at a neat 31 minutes, there’s very little room for waste or error, and it’s plain that the band is cognizant of that. But, though most of the songs on here are sub-four-minutes, there’s a wonderfully extended jam on “Pattern Walks”, elaborating on the band’s unique take on noisy, aggressive indie rock. It marks a departure from its predecessor in a number of ways — a new guitarist, and drums mixed really loud — but it’s just as catchy as ever, despite being way, way noisier. After seven breakneck songs, though, the album closer is tender, melancholic, and almost sweet. It’s a perfect end to a brilliant album.

Picks: No Thoughts, Pattern Walks, I’m Not Part Of Me

Black Messiah — D’Angelo and the Vanguard

In his twenty year career, D‘Angelo has released a total of three records. That’s glacial by any standard, but his work has never been disappointing. His previous record, Voodoo, set the template and high watermark for all R&B that followed it, and Black Messiah will surely be no different. It has been in the works for something like ten years, and it shows: every drum line, every melody, every vocal, every harmony, and every sample feels honed to perfection, and simultaneously utterly effortless. There feels like more focus than ever on D’Angelo’s unique vocal style, with hints of Curtis Mayfield and George Clinton floating over largely-real instrumentation, including drums by ?uestlove. If this record has even a whiff of the impact that Voodoo did, expect plenty of D’Angelo’s contemporaries to ape his unique style, more or less. But savour this original moment. It feels more like an event than a simple album release.

Picks: 1000 Deaths; Really Love; Another Life

Glass Boys — Fucked Up

Every time I think Fucked Up couldn’t produce a more dense, orchestral version of hardcore, they turn up the dial just a little more, making the resulting sound just a little more powerful. One day, if they’re not absolutely careful, it will become claustrophobic; for now, though, it’s cinematic and melodic in a most unique way. Though each record they make now will be inevitably compared to The Chemistry of Common Life, I think that’s a little unfair. This is a completely different beast than both Chemistry and interim release “David Comes to Life”; it’s simultaneously less ambitious, in the sense that it’s not a rock opera drama, and more ambitious, in that it attempts to breathe fresh life into those clichés of youth and age. And I think it works. Featuring a brilliant collection of guest vocalists from Dinosaur Jr. and the Tragically Hip, Glass Boys tugs pretty hard at the nostalgia heartstrings without straying onto the cheesy side. It’s warm and folky, for a hardcore punk record, and I love it.

Picks: Warm Change; Paper the House; The Great Divide

El Pintor — Interpol

There is no greater false hope than thinking the next Interpol album might actually be great. And yet here I am. Hoping.

I was wrong.

I’m glad I stuck with my apparently false hope. After two fairly mediocre albums and the departure of original bassist Carlos Dengler, Interpol has reemerged as a tight three-piece, with an energy and vigor unseen since — dare I say it? — the Turn on the Bright Lights days. Yes, the album still occasionally falters — Everything Is Wrong is a bit of a slog — but the strongest songs on El Pintor sit right with the strongest songs the band has ever released. “Fuck the ancient ways,” indeed, but El Pintor doesn’t totally distance itself with the band’s formula. It’s an alluring balance between fresh energy and expected style.

Picks: All the Rage Back Home; My Blue Supreme; Tidal Wave.

Sines — Jakob

Eight years ago, Jakob released the gorgeous Solace; after that, things got a little quiet. They still toured and played loads of shows, including opening for Tool for two of the band’s Australian tours, but a new record seemed elusive; or, at the very least, stuck in development hell. But, at long last, an album has emerged, and it’s amazing. It’s post rock as only Jakob know how to do it, complete with towering guitar lines, precise percussion, and warm bass lines. Yeah, it opens with the somewhat-predictable “Blind Them With Science”, but stick with it; it’s an adventure and a journey, and decidedly not much of a destination. I appreciate the band’s dedication to building an atmosphere over an easy end product: it feels explorative, not definitive.

Picks: Emergent; Harmonia; Resolve

Darlings — Kevin Drew

It took just one song into seeing one of Kevin Drew’s live performances for me to really get this record. Despite my affinity for Canadian indie royalty by way of Broken Social Scene, et. al., I’m not that familiar with Drew’s solo output. To be fair (to me), he has just one prior solo record. But “Darlings” is a wonderful exercise in slow burning warm and fuzzy indie rock. It reminds me an awful lot of one of my all-time favourite records, “Know By Heart”, by the American Analog Set: it’s unobtrusive and quiet, yet somehow demands your attention to every note. It’s like a warm blanket and a mug of tea. There are lyrics, and I’m sure they’re very nice; they seem to speak to romance, sex, monogamy, and all sorts of hot topical. But this is a record about feel, more than anything, for me at least. And it feels really good.

Picks: Mexican After Show Party; You Gotta Feel It; And That’s All I Know

Run the Jewels 2 — Run the Jewels

It’s generally hard for me to pick a “record of the year”. I tend to come up with a list of ten or fifteen albums that I really loved and will keep listening to in the years to come, but I can’t ever pick one that strikes me as the best. This year, though, Run the Jewels 2 easily took that crown. It has everything: a keen mix of social awareness and braggadocio over spectacular production, in a perfect back-and-forth style with moments of aggression and tenderness in harmony. It feels urgent and necessary, and very of-the-times. It’s a landmark kind of record, with guest contributions galore — including brilliant verses from Zack de la Rocha and Gangsta Boo, and a haunting chorus by Boots — mixing with El-P and Killer Mike’s exquisite duelling. I love this record.

Picks: Close Your Eyes (And Count To Fuck); Early; Love Again (Akinyele Back)

Heal — Strand of Oaks

There’s a bit about halfway through “JM”, the song in the middle of the album, where you get the sense as a listener that Timothy Showalter has poured absolutely everything into this record. It certainly reads like it: as he was in the middle of recording the album, he had a near-death accident that markedly changed the tone of the songs. A bunch of songs were mixed to be huge — far bigger than any of his previous work, and seemingly written to lift the roofs off stadiums, not small clubs or bars. Yeah, there’s a little bit of cheese on this record, but so what? This is ambitious, haunting, and at times, deceivingly charming. It feels like Showalter is willing to bear all to, indeed, heal.

Picks: Shut In; JM; Wait For Love

Seeds — TV on the Radio

After the tragic 2011 death of bassist Gerard Smith, TV on the Radio took a few years to grieve and regroup. Their first album as a reformed band, though without a full-time bassist, is a beautiful, disconcerting, yet oddly charming work. The attributes of a sound as distinctive as is TV on the Radio’s become more acute when paired with a subject as delicate and challenging as death, and all that comes with that. It’s not an instant classic in the way “Return to Cookie Mountain” was for me, and it does drag a little towards the middle, but it’s one hell of an impressive effort that improves with each listen.

Picks: Could You; Winter; Lazerray

Deep Fantasy — White Lung

I was eating dinner a few nights ago with a friend of mine who I haven’t seen for the better part of a decade1 and he pointed out that there’s something uniquely fascinating about a sub-30-minute record. Case in point: White Lung’s effort this year, flying by in less time than my daily commute, but packing a series of impressive punches along the way. In a year of seemingly nonstop degredation of women, as a whole, Deep Fantasy is a vital feminist voice, exploring its most pressing and necessary challenges. As with most great short-and-fast records, not a second of this album’s 22-minute running time feels wasted. Despite the aggressive delivery, though, there are plenty of catchy and, often, downright beautiful melodies to make this record feel more pop than it truly is. That’s nothing but a compliment, by the way.

Picks: Face Down; Just For You; In Your Home


There are plenty of records this year that I really enjoyed, but weren’t necessarily “favourites”, for whatever reason. Here’s a small selection.

The Worst Album of the Year

Last year, I proclaimed Jay Z’s “Magna Carta Holy Grail” to be the worst record of the year, on account of its genius creator getting lazy. This year, there’s an awful lot of choice.

By the criteria of last year’s “winner”, Pink Floyd’s “The Endless River” is an easy contender. I’m a huge Pink Floyd fan — let’s face it, who actively dislikes Pink Floyd? — but they’re clearly just trading on their name at this point. “The Endless River” was an insipid record that I had to force myself to slog through. There are remnants of past Floyd, with almost self-conscious instrumental references to the greatest albums of their long and impressive career, but there’s very little on this record that I seek to listen to again. It feels like an endless river. Of boring.

I should, in fact, pick truly terrible records for this coveted prize. Lil Wayne released an album in 2014 that contained a song called “Bitches Love Me”, which included this gem of a lyric:

She said “I never want to make you mad
I just want to make you proud”
I said “Baby just make me cum
Then don’t make a sound”

Apparently, nobody involved with this record’s production found anything wrong with this. I am beside myself. I defer to the Rap Critic on this one.

Nickelback decided that writing songs about drugs and sex and booze wasn’t enough any more, so they wrote a protest song:

Head high, protest line
Freedom scribbled on your spine
Headline, New York Times
Standing on the edge of a revolution
Hey, hey, just obey
Your secret’s safe with the NSA
In God we trust, or the CIA
Standing on the edge of a revolution

It is truly this century’s “Eve of Destruction”, if Barry Mcguire kept hitting his head on a concrete wall while being forced to fill in a counterculture Mad Lib.

Alas, this award must go to the sole artist capable of producing a bad record from the first whiff of it.

And that, of course, is U2.

U2 gets ragged on a lot these days. They haven’t released anything really good since “The Joshua Tree”, but they mostly remained inoffensive for the past couple of decades. That all changed with “Songs of Innocence”, which was pushed to every iTunes account on the planet for free. Why is that so bad? Well, allow me to quote myself, like some kind of asshole:

[A] music library is a deeply personal collection. It is the whole sum of your life’s soundtrack. It has songs that played while you were laughing with friends, crying alone, making out with your significant other, cooking, cleaning, falling asleep, waking up, working, walking, and so much more. As we are able to take increasing amounts of music everywhere with us, we are increasingly experiencing our lives alongside a soundtrack. Songs of Innocence is an unwelcome wart on my life’s soundtrack. It has inserted itself into my library near albums of far greater importance to me. It feels like a violation of something I cherish.

Was it the worst music I’ve heard all year? No. It’s like the wallpaper in a dentist’s office. But imagine your dentist showing up at your house and re-papering your living room to match their office. It’s deeply offensive purely because it’s so invasive. I blame U2 and Apple equally for this shitstorm. “Songs of Innocence” was the worst album of 2014.

If you’ve made it this far, congratulations! And thank you for reading. See you next year, hopefully when a list like this is more relevant. Like I wrote at the top, these are all affiliate links, so buying a couple of these albums will help support this site financially. If you think affiliate links are wrong — or that putting together a list like this is kind of a lazy way of making a few bucks even though, and I swear this is true, I am genuinely recommending all of these records — that’s fine: please buy the albums of your choice at your local independent record store.

  1. If you’re reading this, hi Scott. 

Dan Lyons Continues to Be an Insufferable Jackass

Dan Lyons sounds jealous:

There is surprisingly little to be learned about Sir Jonathan Ive in this 17,000-word piece in The New Yorker, except this: The fucker gets driven to work in a Bentley Mulsanne, “a car for a head of state,” as Ian Parker puts it.

That one detail says it all. If you want to know who wields the real power at Apple, look no further. The Mulsanne starting price is a tick over $300,000, and can go higher (like if you get the special Grey Poupon refrigerator, I guess)…

Jonathan Ive is probably the best-known industrial designer anywhere, and determines the direction of both the hardware and software of one of the world’s biggest companies. A $300,000 car isn’t really that big of a deal in that context, is it?

…but the price is not the point.

Oh? Enlighten me, Lyons.

The point is the chauffeur. His name is Jean.

This is crazy even by Dan Lyons’ extremely high standards.

You know how Wikipedia typically lists notable people with a certain given name? There are so many people named Jean that Wikipedia just presents you with a list of articles that begin with Jean.

Ive, possibly the most influential person at Apple including Tim Cook, has a chauffeur. His name is the French equivalent of John. This is outrageous to Dan Lyons.

And then this article gets really weird:

There’s no word in the article about whether Ive makes Jean wear a uniform, and if so, whether Ive designed the uniform himself, and if so, if he selected his driver by making a few dozen candidates line up and pose to see which one would look best in the uniform that Ive designed, and/or which ones would agree to have plastic surgery to make themselves look just so in that uniform and hat.

Every time you think Dan can’t get any more abstruse or bizarre, he proves you wrong. He is truly a gift that keeps on giving, except it’s like receiving a flaming bag of dog shit on your doorstep that increases in size with each delivery.

Jon Ive is off the fucking rails…

Yes, Jonathan Ive is the one off the fucking rails. Not you, Dan. Jony. Got it.

…and the only person who could rein him in is no longer among the living.

Steve Jobs owned a fucking plane, which almost certainly had a pilot, who might have had a French name. Bring on the proportional outrage.

This article is so fantastically terrible that the link goes instead to a video of a dog riding a bicycle. If you’d like to read Lyons’ particular brand of bizarre, feel free to Google any of the quotes in this post. You have better things to do, though.

Stop, Collaborate, and Listen

The Verge’s John Lagomarsino wants you to stop speeding up your podcasts:

Radio — like film, music, TV, theater, and dance — is a temporal art. It relies on the passage of time to play with anticipation, tension, and release. A good radio producer knows how long a thought will linger in a listener’s consciousness, and either grants her that time, or purposely denies it. A conversation between two hosts is riddled with pregnant pauses and interruptions designed to head off miscommunications. We’re used to these patterns, and a good podcast is paced to play into them. Why, then, should we mess with that balance in the name of efficiency?

Lagomarsino cites the dramatic and deliberate pauses in shows like This American Life and Serial — and even The War of the Worlds — as instances where a podcast app’s speed adjustment feature would ruin the moment. But most podcasts aren’t like Serial; most podcasts are a few guys talking aimlessly about topics that interest them. For every This American Life that’s made worse by a speed adjustment feature, there’s a 5 By 5 show that’s made unquestionably better by such a feature.1

Podcast acceleration features are there because the people who build podcast apps also listen to podcasts. Most podcasts simply don’t respect the listeners’ time.

  1. I don’t mean to rag on 5 By 5, but the network is full of shows that are little more than casual banter. 

Debating the Rules and Ethics of Digital Photojournalism

These sorts of articles and debates are always interesting to me because, while it’s true that digital tools make photo manipulation easier, photos have never been 100% free of manipulation.

In college, I took a class on the history of photography, and we were presented with this incredible photo of an arched promenade, and we were asked what was odd about it. After a beat, the professor noted that it was actually a composite of several negatives, each taken at a different focal length. I wish I remembered the name of this particular photo to cross-reference this account, but I don’t think I’m mistaken. Photo manipulation has a very long history.

On the other hand, these are examples of photojournalism, which one expects to be unadulterated. On the other hand, are different white balance or exposure settings adulterating an image by transforming its mood? Such photos would, after all, be straight out of the camera, so to speak. Is the determination of whether manipulation is excessive like pornography, in that “you know it when you see it”?

Goodbye, Mini Stores

Pour one of those travel-sized bottles of whatever out for the Mini Store. Like so many other smaller stores, I’ve always held an affection for Apple’s Mini Store concept.1 It scales horribly, especially for Apple’s current size and demands, but it’s always been a very unique concept. And now it’s gone.

  1. I really like kiosks, and I can’t explain why. I like the tiny retailers inside train stations, I like newsstands, and I really like weird hole-in-the-wall shops. Colour me crazy.